A blog exploring the joy of art: "I found that I could say things with color and shapes that I couldn't say any other way -- things I had no words for." -- Georgia O'Keeffe
Friday, January 30, 2015
Thursday, January 29, 2015
The Tale of the Little Giant
Wednesday, January 28, 2015
George Junior's story
Tuesday, January 27, 2015
Sweet Suzie Bear swims with dolphins
Monday, January 26, 2015
Beartrand goes to sea
Friday, January 23, 2015
Hibernation Time
Thursday, January 22, 2015
Floral painting in a Chinese style
Wednesday, January 21, 2015
Eat, drink, and be merry for tomorrow, we hibernate
Synopsis of yesterday's episode: Beartrand Bear enjoyed the reception and he also interviewed Sweet Suzie Bear. She let him know that she wanted to go to the Land of the Giants, along with Beartrand Bear, Bearnacle Bear, and his crew. Beartrand Bear enjoyed a wide variety of foods and he walked around the gallery, viewing the paintings. There were a wide variety of styles. Most of the paintings featured bears in different places. Some of the bears were realistic and others were abstract. A few of the paintings featured only color and form and no bears or humans or giants. One of those paintings looked very geometric and fascinating. One side of the painting was all primary colors (red, yellow, and blue), and the other side of the painting was all secondary colors (orange, purple, and green). Beartrand took a look at the artist's statement. "In art school, I spent a lot of time making color wheels, as do all art students. I learned that colors are connected to each other and that the world is full of color. Art is about color and shape. And, because color and shape are life, art is life. Without art, the world would not know joy. Our world would be less colorful and more dull. I am so fortunate that I can share this vision with the world through my painting. Therefore, I have named this painting 'A World of Color, A World of Life.' As you go about your life in the beautiful Land of Bears, I hope that you will always notice the colors of the world.'" Beartrand Bear went to the studio to finish reporting on the evening's event. He was happy and ready to hibernate. Friday's episode: The Bears hibernate. There will be a surprise waiting for you on Friday. Tomorrow, I will take a break to share the painting that I will do at Stella Niagara at my art class there. Notes about today's painting: Piet Mondrian (1872-1944) contributed to a movement called De Stijl, which is a Dutch term, meaning "the style." Another name for De Stijl is "neoplasticism." The style is nonrepresentational and abstract. It is focused on geometric shapes. The painting above was based on Composition II in Red, Yellow, and Blue (1930). This style of geometric shapes and colors can be seen in Frank Lloyd Wright's stained glass windows in the houses that he designed, such as the Darwin Martin house in Buffalo and Fallingwater in Pennsylvania. |
Tuesday, January 20, 2015
Celebrating Modern Art Bear
Synopsis of yesterday's story: Beartrand Bear went to the opening reception of the Modern Art Bear show. He interviewed Bearnabus Bear, the owner of the gallery. He was surprised by Bearnacle Bear, who invited him to join the next sea voyage, to begin after the bears wake from their hibernation. They were going to visit the Land of the Giants. Beartrand wondered when Sweet Suzie Bear would be ready for an interview but, in the meantime, there was food to eat and conversations to be had. Bearbara, the opera singer, pushed through the crowd to talk to Beartrand. She always liked hearing her voice on the radio and she looked disappointed that he had put his microphone away. He realized that she would like to be interviewed so he took his microphone out of its case and pointed it at Bearbara's face. Her face lit up because she truly thrived on attention. "Bearbara, what motivated you to come to the opening of the Modern Art Bear show?" "Oh, I just love modern art, almost as much as opera! The two go together sort of like peanut butter and jelly." "Peanut butter and jelly?" asked Beartrand, surveying the table full of food. He suddenly realized that he was holding a microphone but no plate. He picked up a plate and tried to put food on it but failed because he did not have a free hand. Bearbara did collect brie cheese, Camembert, crackers, melon balls, grapes, and strawberries. She began eating delicately, trying not to crunch while she was being interviewed. "Oh yes, peanut butter and jelly. Soup and crackers. You know. Things that go together. Anyway, I thought that I would meet people and talk to the media and do all of those fun things." Suddenly bored with the interview, Bearbara abruptly walked away. Beartrand turned off the microphone. He filled a plate with food and started eating. He was hungry and knew that it was time to fatten up before he began his hibernation cycle. Just as Beartrand took a taste of the brie cheese, up walked Sweet Suzie Bear. "Would you like to come to my office? I have time to do the interview right now. The owner of the museum is going to give a fundraising presentation and, as you've already interviewed him, you don't really need to go to that. Oh, and take a look at this painting. We were thrilled to be able to acquire it." Beartrand read the artist statement: "Several years ago, a bear took a sea voyage. It was his second voyage as captain of his ship. He traveled to the Land of the Giants, where he met creatures who looked like humans but who were much larger. In fact, the humans that the sea captain met were afraid of the giants and called them by such odd names as 'Sasquatch,' 'Big Foot,' and 'Yeti.' "I had gone on the sea voyage as an observer, an artist in residence so to speak. It was my goal to document the journey across the sea, as well as day-to-day living in the Land of the Giants. This mixed media painting, which was done in marker and in watercolor, captures one of the friendly exchanges between a giant and a bear. The giant, whom I painted, was my host during my visit. He too is an artist, and his media of choice is sculpture. He prefers to create abstract sculptures that express the idea of longing for something that he cannot reach and dreaming of crossing the sea. He has never left the Land of the Giants. I titled the painting 'Giant Hugs Bear' to depict the warmth of this giant." --Bearta, the artist Bear Beartrand finished reading the artist statement, and he followed Sweet Suzie Bear to her office. He got out his microphone and switched it on and announced that he was going to interview the curator of the Modern Art Bear Exhibit, Sweet Suzie Bear. Even before he could ask a question, Sweet Suzie Bear began to talk. "Thank you for coming to the exhibit of Modern Art Bear. I suppose your listeners want to know something about modern art. Well, modern art can be representational or nonrepresentational. In other words, there is either a picture you can recognize or there is a picture that just looks like shapes and forms. "I really like nonrepresentational art because it challenges the viewer to think and to look very carefully to find meaning in the art. There are as many meanings in a painting as there are bears looking at the painting. Some bears are afraid to describe what they see in the painting because they think that they may be wrong. "But I am here to tell you that you don't have to worry about being wrong. Your interpretation of the painting is just as valid as mine or anyone else's. Your enjoyment of the painting is what matters. Even if you don't like the painting, that is OK. You will take something away with you, even if you find the painting to be just one big yuck. "We would love it if you would come visit the gallery at least once before you hibernate. Please think of it and come soon." Beartrand looked at Sweet Suzie Bear. "Wow. That's great. I'm glad that you mentioned the Land of the Giants because I will be reporting from there after my hibernation is finished. Do you have any advice on what to look for in the Land of the Giants?" "No," said Sweet Suzie Bear. "I was there only once, when I was very young. I'd love to go. Are you going in Bearnacle's ship?" "Yes," said Beartrand. He looked at the microphone and wondered how he had managed to lose control of the interviewer. He was supposed to ask the questions. "May I please come with you? Please? With a cherry on top of the nectar pie?" "Um. I will have to ask Bearnacle." "Great!!" Beartrand suddenly remembered that he was interviewing Sweet Suzie Bear. "Do you have anything else to add about this exhibit?" "Yes," Sweet Suzie Bear said. "There are a wide range of styles represented in this show. Please come. You'll have a great time, and we are looking forward to seeing you." "Thank you so much," said Beartrand. The two shook hands and Beartrand left. Tomorrow: Eating like there's no tomorrow because it's almost time to hibernate. Notes about today's painting: Today's painting is based on Self-portrait (1907) by Pablo Picasso (1881-1973). Pablo Picasso, who was born in Spain with the given name "Pablo Ruiz de Picasso"), was the son of an artist who taught at the School of Fine Arts in Malaga, Spain. Pablo Picasso was one of several artists who pioneered the use of collage in painting. He was instrumental in creating several art movements, including cubism and surrealism. He was considered to be creative and original. The self portrait is one of Picasso's earlier works, when he was transitioning from representational to nonrepresentational images to express his artistic vision. |
Monday, January 19, 2015
Opening Reception for the Modern Art Bear Show
Synopsis of Friday's story: Beartrand Bear tried to interview Sweet Suzie Bear but was foiled once again. The first time, he was foiled by the presence of a school group. This time, he was foiled by a caterer who came to discuss the menu for that evening's reception. Beartrand Bear brought his handy dandy microphone to the reception at the Art Museum. He could tell that Sweet Suzie Bear was easily distracted and that doing the interview with her was going to be more challenging that he had anticipated. A line had formed outside of the Art Museum. The bears and even a few humans were dressed up and were ready for an evening that involved food and fundraisers. A tall bear stood near the door. Beartrand Bear recognized the tall bear as Bearnabus, the owner of the art gallery. "Would you like to talk to my listeners about the Art Museum?" asked Beartrand breathlessly as he waved the microphone as close to Bearnabus' face as he could. Since Beartrand was a rather short bear, he couldn't reach the microphone to Bearnabus' face. Bearnabus took the microphone and held it to his face. "Of course. I am always happy to talk about my Art Museum. It is a real treasure in Bear Land. Even the humans who come from the Land of the Humans and the giants who come from the Land of the Giants like visiting our Art Museum and seeing the creativity of our artistic Bears. I would also like to mention that everyone is welcome to donate to the museum so that we can have more exhibits like the Modern Art Bear show." "When can people come visit the show and how do they make donations to the museum?" "The museum is open Tuesdays through Saturdays from ten o'clock in the morning until seven o'clock in the evening for the next two weeks, which is when we go into our hibernation cycle. As for making donations, we have cans and jars and envelopes for these donations. We also offer memberships to the museum. When you come to the museum, just ask about the membership and one of our helpful staff will be happy to assist you." "Thank you very much," said Beartrand Bear. After waiting for about fifteen minutes, Beartrand Bear and the rest of the bears were able to go inside the museum when a museum guard opened the door and announced that the reception would start momentarily. Beartrand was looking at a painting of a bear posing with a human in what looked like a tropical jungle. He began reading the artist statement by Sweet Suzie Bear. "As a student at the art academy in the Land of the Humans, I met a family of giants. One giant, named Tina, asked if she could pose for a photograph with me. She wanted the photograph to be done in the wild forest, so we went out to an area with big leaves and giant trees. After the photography session, I used the photograph of Tina and me as the basis of a painting. When Tina isn't posing for photographs, she is an opera singer and vocal coach." Then someone poked his shoulder. Beartrand jumped and then turned around. It was Bearnacle Bear and his first mate, the father of Sweet Suzie Bear. "Hey Beartrand," Bearnacle Bear announced without even bother to say "hello" or "how are you" or any of the things that were said at the beginnings of conversations. "We are going on a sea voyage to the Land of the Giants and we want you to come with us so that your listeners can hear the giants stories. There is a special giant that everyone calls the Little Giant. All of the stories are about the Little Giant. Will you come with us?" Beartrand was so startled at the invitation that he almost forgot to respond and he almost forgot that he had a live microphone in his paw. "Um, er. Yes. Oh! The microphone. Listeners! I am going to have an adventure and I will share it with you." Beartrand turned off the microphone and stopped taping. "When do we leave?" "Three days after we finish hibernating." And with that, Bearnacle and his first mate ran over to see Sweet Suzie Bear. Beartrand wondered when Sweet Suzie Bear would be ready for an interview but, in the mean time, there was food to eat and conversations to be had... Tomorrow: The reception continues. Notes about today's painting: "Self Portrait with Monkey," painted in 1938, was one of many self portraits painted by Frida Kahlo, a Mexican artist who was married to Diego Rivera, a famous muralist. Frida Kahlo (1907-1954) painted many self portraits. Her artwork was described at various times as naive or primitive or as surrealistic. Frida Kahlo disagreed with the surrealistic label and said that her paintings represented reality, rather than dreams. |
Saturday, January 17, 2015
Modern Art Bear: A Bear Screams
Synopsis of Thursday's story: Beartrand Bear went to the art museum to view the new exhibit, titled Modern Art Bear, and to interview the curator, Sweet Suzie Bear. Just as the interview was supposed to begin, Sweet Suzie Bear's assistant entered the gallery, out of breath from running. "The caterer for tonight's event needs to talk to you. It is something about a change in the menu," said the assistant. "So sorry," said Sweet Suzie Bear. "I do have to take care of this. Will you come to the event tonight? There will be delicious food and loads of nectar, and we can do the interview then. Why don't you invite your listeners? The event is open to the public." "OK," said Beartrand. "I'll be back tonight." Sweet Suzie Bear and her assistant left, and Beartrand walked over to the painting titled "A Bear Screams." He wondered what the artist was thinking and what the bear in the painting was screaming and covering his ears. Beartrand remembered a time when he was screaming and covering his ears. It turned out that he had an ear infection and his ears were ringing for about three weeks after he went to the Bear Clinic. He was just a bear cub at the time and his mama bear poured all sorts of smelly stuff in his ears so that they would stop hurting. It was winter, and he was happy when it was time to hibernate. After he woke up, his ears did not hurt anymore. But the painting. The Bear did not look happy. Beartrand took a look at the artist's statement: "What is the difference between a bear singing and a bear screaming? Visually, maybe not too much. Either way, the bear is trying to get out a message that is probably urgent so the bear is using unusual methods of communication. "The screaming bear holds his ears to shut out the world, so that he can experience his inner world. Or maybe the screaming bear holds his ears to hear his thoughts in a world gone mad with chaotic noise. "As an artist, I decided to use color and image to depict the over stimulation that we receive on a daily basis from a glut of sensory information. "The colors of night and of life that flow on and on, like a river, are things that I hoped to translate to canvas." Beartrand Bear stared at the painting for quite a while and then walked back to the radio station. He hosted his jazz program during the afternoon and then returned to the art gallery for the big event. Monday's story: More modern art paintings at the Bear Museum and a surprise for Beartrand Bear. Notes about today's painting: Edvard Munch's "The Scream" was painted four times, between the years 1893 and 1910. Two of these were done in pastel and two were painted, probably in oils. Edvard Munch (1863-1944) was Norwegian, and the styles that he was known best for included expressionism and symbolism. "The Scream" is considered to be an autobiographical painting. For more information about this fascinating painting, take a look at this webpage: The Scream! |
Thursday, January 15, 2015
The Modern Art Bear Museum, part one
Beartrand Bear woke up early in the morning. He was excited about going to the art museum and reporting on site about the newest art exhibit. He had made an appointment to have the art museum's curator, Sweet Suzie Bear, tell him about several paintings that were being featured in the exhibit. After a delicious breakfast of bread and jam and tea, Beartrand Bear set off for the art museum. It was a cold day. Beartrand wondered why he hadn't started hibernating yet but he figured that a good hibernation could wait until after the art museum visit. When Beartrand Bear, carrying his handy dandy microphone and recording device, arrived at the art museum, he saw Sweet Suzie Bear surrounded by a group of bear cubs and their teacher. Sweet Suzie Bear called Beartrand Bear over. "I'm giving this class a tour of the museum, and you are welcome to join us," Sweet Suzie Bear said. The group immediately went to the stairs and climbed up one flight, where the new exhibit was being displayed. A colorful sign was on the door. It read, "Bears in Modern Art: A Retrospective." "Does anyone know what the word 'restrospective' means?" asked Sweet Suzie Bear. No one did. The students, the teacher, and Beartrand did not know the meaning of the word "retrospective." "Well, usually, the word is used to describe looking back at the career of one artist. What has that artist done in the past and how did the artist's work change over time? At our museum, we are using that word a little differently. We are looking at a subject, which is Bears in Modern Art and how bears have been depicted in paintings. Does anyone have any questions before we go look at a painting?" "What is modern art?" "Are the paintings big or little?" "Where is the bathroom?" Sweet Suzie Bear answered all of the questions. She said, "What is modern art is a very good question? Does anyone have an idea?" "It is art that is not ancient, like cave art," said one small bear cub. "That is a very good answer," said Sweet Suzie Bear. "There is a little bit more. Modern artists create new and different things by painting or with sculpture. Their artwork does not have to be realistic. It is up to us to decide what the artwork means." The group went into the exhibition hall. Sweet Suzie Bear led them to a portrait of a bear wearing a hat and and reddish orange sweater and the group discussed the painting. They agreed that the bear looked cold and that it was probably snowing outside. They said that they saw a teapot and that the bear probably wanted tea with honey. "Have you noticed the artist statement on the wall?" Sweet Suzie Bear asked. "That's where the artist describes what he or she was thinking and feeling when the painting was being made." One of the bear cubs read the artist statement: "I used to love watching my Mama Bear wear her wonderful hats. She had hats of every color that she would wear when she went out. Now, she prefers to wear her favorite hat. "This painting is made on mixed media paper with acrylic paints. "The painting is my expression of joy at the thought of my mother going out into the world, wearing her colorful hat and her bright sweater." "OK group," said the teacher. "It is time for lunch!" The teacher led the cubs away from the painting and told Sweet Suzie Bear that they would return after their lunch. Sweet Suzie Bear told Beartrand Bear that she would do an interview with him while the students were off having their lunch. Tomorrow: The interview and another painting Note on Today's Painting: This painting is an adaptation of a painting by Henri Matisse (1869-1954). |
Wednesday, January 14, 2015
Home Again!
Synopsis of yesterday's episode: Bearnacle Bear and the crew are welcomed to the Land of the Humans when they bring George and Little George home. Bearnacle is even given the key to the city by the mayor. After a week of new friendships, it is time for the ship to return to the Land of the Bears. We had a tearful goodbye with our human friends and we got into our ship and sailed away. A few days later, we returned home. It felt good to see our own coastline. We had been gone for a long time. My parents looked older than I remembered them. Their faces looked tired, but happy. We ate the best foods and drank our fill of nectar. We were serenaded by the Bearish Chorus, made of bears of all ages. It was a delight to hear all of the Bear music. We all sang the Bear Anthem together. Late at night, I walked alone to the coast. I wanted to see the sea. It would be a while before I would go on another journey of exploration. For now, I was going to heal and enjoy home and family. The sea monster and the mermaid were just off the coast, floating gracefully in the calm sea. The sea looked like a sheet of glass, reflecting the full moon. The mermaid sang: Sun and moon and stars shine beautifully for you they will never leave. A cold wind blows through and old leaves fly from the trees they are swept away. The snow flies sideways underneath dark cloudy skies of frozen winter. Crocuses pop out with pastel colors and light World being reborn. The sea monster added, "We are never far. You can see us when you venture forth again. We'll just say so long but never good bye." And with a swish of the tails, both the sea monster and the mermaid were gone. Later, I told my friends about the sea monster and the mermaid and her songs but all assured me that I had probably enjoyed too much nectar. Back in the radio station: Beartrand Bear said, "Well, that was one heck of a tale. Thank you so much. That suggestion of nectar was a good one. How about if I treat you to a glass or two?" "OK," said Bearnacle Bear. "But I want to tell you one last thing before we sign off. I just want to tell you that Sweet Suzie Bear did go to the Art Academy in the Land of the Humans. She's the curator of our Art Gallery, and she's opening a new exhibit titled Modern Art Bear. Why don't you go there and do an on-site story?" "Thank you, Bearnacle. I believe that I will. Now, how about that nectar?" THE END (Tomorrow: Sweet Suzie Bear and the Modern Art Bear exhibit) |
Tuesday, January 13, 2015
Art, Music, and New Friends
Synopsis of yesterday's episode: Bearnacle Bear and crew set off in their newly built ship. It was an uneventful trip until a struggling sailboat appeared close by. The occupants were humans: a father and a son. The father had been a jailer in the prison where Bearnacle Bear was kept until he escaped. Bearnacle and George (the human) were able to settle their differences. The ship set off to take George and Little George home. When we arrived at that coast that I remembered from my nightmares, an amazing and unusual sight greeted us. Humans were on the shore. They held up signs reading, "Welcome Bear Ship!" and the trees were decorated with balloons and streamers. The mayor of the nearby city welcomed us as we disembarked. All of the humans and bears gathered together and the mayor began to speak. "Welcome Bears," said the mayor. "We are so happy that you have come to visit our land. We are also so happy that you brought our fisherman and his son back to his home. Bearnacle Bear, you have suffered far too much at the hands of our people. We apologize for that, and we want you to know that no bear from your land will ever suffer like that again. "We are so grateful that your ship brought our fisherman back. Therefore, I am offering you a key to the city. May your visit be joyful, and may our friendship last a long time." The key to the city, attached to a beautiful handmade chain, was placed around my neck. Immediately, I was surrounded by a crowd of humans and of bears. I received and gave many hugs within the space of a few minutes. The ceremony was followed by a delicious meal, held at a hall in the city. The hall was decorated with colorful balloons and streamers. We ate zucchini, tomatoes, green beans, brown rice, portabella mushrooms, shittake mushrooms, a variety of fish dishes, and cornbread. We drank apple cider. We had the most delicate and sweetest cookies for dessert. After the meal, we were offered a tour of the humans' city. My first mate and his wife (our navigator) and their little daughter, Sweet Suzie Bear, went off to the art gallery. The rest of us went to the concert hall to hear a performance of some of the humans' best classical music. We heard piano music by Frederic Chopin, Ludwig van Beethoven, and Wolfgang Mozart and many others. After the pianist stopped playing, one of the bear cubs climbed on the piano and sat there until her picture was taken. We stayed with the humans for a week. We all stayed with host families, and we made friends that will last a lifetime. My host was George, his wife Sandra, and their son Little George. George told me that he had felt so bad about the way that he treated me at the prison that he quit his job as a jailer and became a fisherman. He is training his son to be kind to all living creatures. During the week that we stayed with the humans, little Sweet Suzie Bear became enamored with the art museum. She went to a few of the free art classes offered by the art museum and she decided that she wanted to come back to the Land of the Humans when she grew up so that she could go to the Art Academy. The head of the Art Academy assured her that her place in the school would wait for her and that she would always be welcome. We had a tearful goodbye with our human friends and we got into our ship and sailed away. A few days later, we returned home... (note: The conclusion of the story, which includes the mermaid's welcome home song, will appear here tomorrow) |
Monday, January 12, 2015
Homeward Bound
Synopsis of Saturday's episode: Bearnacle Bear delights in his reunion with his crew and in watching the antics of the bear cubs who were born in his absence. The bears build a new ship and they set off for home. Within a few weeks, the ship was built, and it was time to set off for home. Even though I knew that the time had come to leave this island that had healing herbs growing wild, I felt sad. All of us had grown contented in our stay here. We moved our possessions into the ship, and we pulled up the anchor and we were off. Sailing back home was much less eventful than our journey from our homeland. There were no storms, no sirens, and no one fell out of the ship. We worked together quietly and the bear cubs enjoyed running around the ship. Everything was new to them, and it was fun watching them discover all of the nooks and crannies in a ship. One of the bear cubs discovered a giant bottle. One of our crew members found that bottle when he visited the Land of the Giants shortly after we were shipwrecked. The Giants were very hospitable, the crew member reported. They gave him the bottle as a gift so that he would always remember the Land of the Giants. I had heard about the Land of the Giants but I never believed that it was real. I always thought that it was a legend. We were getting closer to home and our journey was still quiet. One day, we spotted a small fishing boat that was drifting in the sea. We wondered what was wrong and we pulled up to that boat. The first mate helped the occupants of that boat onto our ship. They were soaking wet and they were a man and a boy. Humans. The anger that I felt toward humans suddenly rose to the surface. I looked at the man and the boy with hatred in my heart. Suddenly, I remembered who the man was. He was one of my jailers who had tormented me for however long I had spent in the humans' prison. He had told me that I was a worthless creature and a terrorist. Soon, I would be in the zoo and the humans would point and laugh. My time in prison was very long. The sun shone brightly when I came and then the rains came, followed by the snow, and then the sun came back and the trees regained their leaves. And I was still in prison. After a few more changes in seasons, I finally escaped. I told my first mate that this human was an enemy and should be treated as such. "You spent too much time in the humans' prison," the first mate said. "We don't have enemies. We are on a voyage of exploration, not war." I looked over the edge of the ship. The humans' boat had sunk. Only the sail could be seen above water. The humans could not leave in the same way in which they arrived. My former jailer was wet from head to toe. He looked tired and worn out. The boy was wet but seemed more energetic. He found the bear cubs and began rolling on the floor with them. As much as I did not want to, I found the human cub's antics to be funny. He was not as good as rolling as a bear cub but he laughed gleefully every time he rolled with the bear cubs. The former jailer looked at me and I could tell from the look on his face that he recognized me. "Oh," said the former jailer. "You are the bear that we kept in prison for landing illegally on our shores. You escaped." "Yes, I escaped," I said slowly. The words felt as if they were stuck in my throat. "You really are a captain of a ship. You're not a terrorist," said the former jailer. "Yes," I said, not wishing to continue the conversation. I looked over the side of the ship. I could jump into one of the life rafts and sail away. The sea had become choppy, and the sky was turning dull gray. "I am sorry," said the former jailer. "The word 'sorry' doesn't give you back the portion of your life that we took away, but it is a start." I scrutinized the man's face. His dark blond hair hung limply over his eyes, which were red and swollen. His eyes were a deep shade of brown. I could feel the anger lifting from my heart and my head. My head felt clearer than it had since before I had been snatched at that beach and placed in the humans' prison. The hate was gone from my heart. I looked at the man and smiled. "Thank you," I said. "My name is Bearnacle Bear. I am the captain of this ship. We will take you home to your land." "I'd like to radio my nation if you have a radio," the human said. "My name is George, and my son is Little George." George went to use the radio and to send his message. We sailed off in the direction of the Land of the Humans. I no longer felt fear about landing on their shores. When we arrived at that coast that I remembered from my nightmares, an amazing and unusual sight greeted us... |
Saturday, January 10, 2015
The Cave, part two
Synopsis of yesterday's episode: Bearnacle Bear is reunited with his crew. They are living in a cave. He doesn't know how long they have been there and how they got there. When he sees that there are bear cubs in the cave, Bearnacle Bear realizes that he may have been a prisoner of the humans for longer than he realized. Bearnacle Bear feels anger and hatred against the humans for having treated him so badly. The bears had a giant feast to celebrate the return of their captain. After that, I slept soundly for many hours. When I awoke, I saw another painting in the cave. It had more detail and brighter colors than the paintings near the entrance to the cave. In this part of the cave, the sunlight never penetrated. There were lanterns all over to give illumination to a dark place. I sat up slowly. Every bone in my body hurt. I had not relaxed in many months, ever since the ship crashed on the shore of the land of the humans. All of the pain of two crashes and of being held captive filled my body. I sat slowly and then fell back onto the soft bed that the first mate had made for me. I could barely move. The ship's cook brought me a light broth. I looked at it and at the cook. I did not want anything. My crew was marooned, and it was my fault. The cook, however, would not take no for an answer. If I didn't want the cook to keep staring at me, I had to eat the broth. It was delicious. It had a beautiful aroma, of fresh herbs that had been gathered that morning. Small pieces of herbs floated on the top. The broth tasted of springtime and of green fields and of better days to come. And there would be better days to come. In the weeks following, my strength returned. I got to know my crew again and to delight in the cubs that had been born when we were separated. Their antics delighted me. I went with the cook to gather the herbs for the soups and stews that we were to eat. We all sang in the morning and danced in the evening. One day, I watched the sun rise, and I knew that it was time to go home. It was time to gather the materials to build a ship. We had, among our crew, several ship builders. Within a few weeks, the ship was built, and it was time to set off for home. Even though I knew that the time had come to leave this island that had healing herbs growing wild, I felt sad. All of us had grown contented in our stay here. We moved our possessions into the ship, and we pulled up the anchor and... (to be continued on Monday) |
Friday, January 9, 2015
The Cave
Synopsis of the last episode: Bearnacle Bear was led by the sea monster to the other side of the island, where he discovered his first mate alive and well. "Bearnacle! Come with me! You will love it here!" the first mate exclaimed. He did tend to speak in dramatic exclamations. I wondered if I was dead and experiencing some sort of afterlife. After all, the seasick sailor could not have survived falling into the swirling sea. Or could he? "You fell into the sea during a tempest," I said, as we walked into the cave. The cave walls were decorated with faded paintings that I could barely make out. The colors were mainly light browns and yellows and reds. I thought that there had been blues and greens and purples at one point, but these colors were gone. The paintings must have been very old. I wondered who the artist was. I spent so much time looking at and trying to understand the paintings that I did not hear anything that the first mate said. I decided that, since his words did not penetrate my ears, he was probably a ghost. "Are you a ghost?" I asked. "Oh no. I am as real as you are," the first mate said happily. I thought that he was going to break into song. In a musical play, this would be a good spot for someone to sing a heartfelt solo about the beauty of caves. But no. He didn't sing. The first mate actually had a lovely singing voice, just like his uncle, the famous Luke ("Lucky") Bearvarotti. All of the lady bears were in love with the magnificent tenor voice of my uncle and, when he died, they were heartbroken. There was much weeping and wailing at Lucky's funeral, which was done in silence because Lucky's children fought with the quartet that was supposed to sing at the funeral. They all stomped out of the church in disgust and said that no one was to speak to them like that. But that was a long time ago, when I myself was a mere cub. The first mate told me that the paintings were made by the ancestors of the humans. I could feel the hair standing on end all over my body. I hated the humans for what they did to me in their prison. Seeing the first mate standing in the cave, looking well-fed and happy, I began to wonder how long it had been since the ship was lost. "How long have you been here?" I asked the first mate. "Oh about a year, give or take a few days. We tell time by the sun. We live a peaceful, natural life, and we have healed from our disaster," the first mate said calmly. My hair was still standing on end, as I remembered the human guards taunting me, telling me that I would soon be in the zoo and that I would never see the sea again. It was then that I learned hate. I had never hated anyone before. I was always a happy bear who loved everything and everyone. This was true no more. "Who are 'we'?" I asked the first mate. And then, as we walked deeper into the cave, I saw my whole crew. Before I knew it, I was on the bottom of a pile of hugging, happy bears. Unseen by the other bears, I wept bitter tears because I was no longer a loving, happy bear. My mind and my heart were filled with a chaotic jumble of things and images. It was almost as if I were living on the bottom of the sea. I then noticed that there were small bear cubs amidst my crew. Apparently, they really had been in the cave long enough to have little families. The bears had a giant feast to celebrate the return of their captain. After that, I slept soundly for many hours. When I awoke, I saw... (to be continued) |
Thursday, January 8, 2015
The tale of the Sea Monster (part one)
Synopsis of yesterday's episode: Bearnacle Bear was on an island, alone. He had to search for food and he didn't know where he would sleep. He was, however, grateful to have survived the storm that left him once again shipwrecked. I walked to the other side of the island. Everything was green and aromatic there. I had washed up on the rocky side of the island. On this side of the island, there were birch trees, maple trees, ash trees, tulip trees, oaks, and sycamores. There were also white pine trees and cedars. The trees formed a canopy over my head. I then came upon orchards of apples and pears and peaches. And then, I heard a voice. It was coming from the water. But it didn't sound like the mermaid. The voice was stronger and louder than the delicate singing voice of the mermaid. I walked to the shore and I saw a sea monster rising from the water. The sea monster was green and blue and seaweed fell of its back. It was the hugest sea creature that I had ever seen in all of my years as a sailor. I shook with terror, afraid that he would swamp the entire island and that I would drown alone and forgotten by all beardom. Had I escaped from the humans' prison, just to endure a watery grave at the hands? flippers? tail? of a giant sea monster? "Be not afraid," bellowed the large creature, larger than any whale that I had ever seen. "I can help you find your way to a better place. You are lost now. You cannot find your way back to where you came from." How did he? she? it? know that I was lost? "You doubt me," said the sea monster. "You think me malevolent." "Yes," I said. "I am afraid." I rarely admitted to being afraid so it surprised me that I would do so now. I came from a family of bears who would never admit to fear. We were actors and adventurers and sea captains. I was descended from the famous Jean Bearymore, who performed on stage and in film. The sea monster said that he would send someone to me who would ease my fears. He told me to look at the hills, but I didn't understand what that meant so I didn't move. The sea monster repeated his request. I looked away from the sea monster, and no huge wall of water hit me so I understood that I did not have to be suspicious of the sea monster. Walking toward me was my first mate, the seasick sailor who had fallen out of the ship and was presumed drowned. "Bearnacle! Come with me! You will love it here!" the first mate exclaimed. He did tend to speak in dramatic exclamations. I wondered if I was dead and experiencing some sort of afterlife. After all, the seasick sailor could not have survived falling into the swirling sea. Or could he? (to be continued) |
Wednesday, January 7, 2015
The island that time forgot
Synopsis of yesterday's episode: After escaping from the humans' prison and after fleeing their land in a boat that was not seaworthy, Bearnacle Bear endured yet another storm. He landed on an island and, there, was serenaded by a mermaid. Her song gave him hope that his crew survived the storm.
I walked on shore, soaking wet after the terrible storm, and went to seek shelter. I was relieved to be away from the humans and their prison so, even if I was on a tiny island far from home, I was happy. I was, however, gripped by hunger. I found a tree and picked a few apples. After walking a little ways, I found a berry patch and picked blackberries and raspberries. It all tasted good, and I felt better. The humans were strange creatures. The sirens were frightening creatures, maybe even scarier than the humans. It was because of the sirens that my big ship crashed and was lost. The poor bear who was to watch at night had not been warned that the sirens would lead him astray with their beautiful song. It was truly the song of doom. I ate my berries and my apples and I wondered where my crew could be. I was sure that they lived. I wandered back to the shore. It was getting dark, and I had not found shelter. Would it rain? Would I be exposed to the elements? The mermaid swam toward me and, as if she could read my mind, she answered my questions. "Go to the other side of the island. You'll find everything you need there." I walked to the other side of the island. Everything was green and aromatic there. I had washed up on the rocky side of the island. On this side of the island, there were birch trees, maple trees, ash trees, tulip trees, oaks, and sycamores. There were also white pine trees and cedars. The trees formed a canopy over my head. I then came upon orchards of apples and pears and peaches. And then, I heard a voice. It was... (to be continued) |
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